Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Hamptons started as a study in softness and repetition. The layered pink brushstrokes overlap loosely against the pale background, creating something that feels light, decorative, and slightly excessive all at once. The painting reminds me of the very curated version of femininity associated with places like the Hamptons… beautiful, relaxed, effortless-looking, though obviously constructed underneath. I liked letting the brushstrokes stay visible instead of refining them too much. It keeps the piece from becoming overly delicate.
Hamptons started as a study in softness and repetition. The layered pink brushstrokes overlap loosely against the pale background, creating something that feels light, decorative, and slightly excessive all at once. The painting reminds me of the very curated version of femininity associated with places like the Hamptons… beautiful, relaxed, effortless-looking, though obviously constructed underneath. I liked letting the brushstrokes stay visible instead of refining them too much. It keeps the piece from becoming overly delicate.