Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
24×36
I want this forever baby feels intense in a quiet way. The painting has a lot of movement, but it still holds itself together, like trying to preserve a feeling before it changes or disappears. The layered blues, teals, and deep navy tones pull through each other almost like water or smoke, while the heavier palette knife marks give parts of the surface a more physical, grounded weight.
There’s something hopeful in it, but also desperate. Wanting something forever usually means knowing it probably won’t stay untouched forever. I like that tension here. The painting feels emotional without becoming sentimental, letting the brushwork stay loose, impulsive, and unfinished in places rather than trying to resolve itself too neatly.
24×36
I want this forever baby feels intense in a quiet way. The painting has a lot of movement, but it still holds itself together, like trying to preserve a feeling before it changes or disappears. The layered blues, teals, and deep navy tones pull through each other almost like water or smoke, while the heavier palette knife marks give parts of the surface a more physical, grounded weight.
There’s something hopeful in it, but also desperate. Wanting something forever usually means knowing it probably won’t stay untouched forever. I like that tension here. The painting feels emotional without becoming sentimental, letting the brushwork stay loose, impulsive, and unfinished in places rather than trying to resolve itself too neatly.